![]() Schumann and Mendelssohn went so far as to provide some of these compositions with piano accompaniments. ![]() It was widely assumed in the nineteenth century that Bach's works for bowed string instruments without accompaniment were oddities at best, and some musicians were ready to ascribe their existence to some unaccountable perversity in the master's makeup. This was a period rich in masterworks during that span, Bach also produced his suites for unaccompanied cello, his Brandenburg Concertos, and Book One of the Well-Tempered Clavier. But the unquestioned pinnacle of his writing for the violin is the set of six unaccompanied works-three called sonatas, three called partitas-which he completed in 1720, midway through his six-year tenure as Capellmeister to Prince Leopold of Anhalt-Cöthen. He understood completely the possibilities of all stringed instruments.”īach supplied violinists with great masterpieces to play, including nine sonatas for violin and harpsichord, a handful of concertos, and featured obbligato roles in his cantatas and passions. Carl Philipp Emanuel Bach, responding to a biographical query in 1774, recalled of his father: “From his youth up to fairly old age he played the violin purely and penetratingly and thus kept the orchestra in best order, much better than he could have done from the harpsichord. He grew up listening to his father play the violin, and it was as a violinist that he obtained his first public appointment, playing in the Weimar Court Orchestra. Though Johann Sebastian Bach (1685-1750) was best known as a keyboard virtuoso, he was also a highly skilled violinist. Bach: Sonatas and Partitas for Solo Violin, BWV 1003-1006 ![]()
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